<?xml version="1.0" encoding="UTF-8"?>
<urlset xmlns="http://www.sitemaps.org/schemas/sitemap/0.9" xmlns:image="http://www.google.com/schemas/sitemap-image/1.1" xmlns:xhtml="http://www.w3.org/1999/xhtml" xmlns:video="http://www.google.com/schemas/sitemap-video/1.1">
  <url>
    <loc>https://platoandpablo.com/work</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2026-05-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1547464436591-GMSZZXL0PO6B0ON678PG/ClubRepWars.jpg</image:loc>
      <image:title>Work - Club Rep Wars</image:title>
      <image:caption>Studio Lambert shot drone footage of the bar strip in Zante and we took this for our title sequence for E4’s Club Rep Wars. We constructed a club with the show logo as its sign in Cinema 4D and tracked the footage and composited the two together in After Effects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1547462815096-PS3X1NYC3O1TX8CXEPU1/4U_LyricVideo_01.jpg</image:loc>
      <image:title>Work - Joakim Molitor ft. Cher Lloyd - 4U Lyric Video</image:title>
      <image:caption>We were approached by Cher Lloyd’s management - i.e. Music - to create a lyric video for a Joakim Molitor track that Cher featured on. The track artwork features a pink rose on a cyan background so we created this 3D sequence in which the lyrics appear on falling petals. It was built in Cinema 4D and rendered using Redshift.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1589817916769-1TC7V2YYLXECTTT9MK70/SWJM_02.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1600956110108-FJRC02E65KOVCCYF2MON/Ships%26Giggles.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1612787399613-4ZCFAR1PTLIVODD2J012/GreatestHitsOfThe70s_Thumbnail.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1613991892739-94P0K2K1YN8G5PT2374N/TitleStill.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1650640300642-O3D4M1002Z4P04K6OZ1J/HWJM_TheCaribbean_TitleCard.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1659517149264-YGTI70WX69XA5GU281JV/NGH.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1674584863332-9430XVYT78UFPNRLBWVS/%26_Hair.png</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1678275846009-NNKKNKG5BOSWK7ZJD6F0/NK_GrandCanyon_Title.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1762432080046-G18ARYWYG0TW8SJ459RF/image-asset.jpeg</image:loc>
      <image:title>Work - Jane McDonald From Pole to Pole</image:title>
      <image:caption>We were commissioned to design and deliver bespoke TV graphics for Jane McDonald’s new travel series, From Pole to Pole. The show follows Jane’s journey across the globe, from Antarctica to the Arctic, and required visually striking broadcast graphics to bring the adventure to life. Our West London creative studio, Plato &amp; Pablo, produced cinematic animation and geographically accurate maps tailored for television. The title sequence integrated the series logo into a dramatic drone shot of Antarctica, while custom maps were built using real height data to ensure authenticity and visual impact. This project showcases our expertise in TV graphics for UK broadcast, blending technical precision with creative storytelling. From title cards to animated maps, our work helped audiences connect with Jane’s journey in a visually engaging and immersive way.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1737538310723-7Y7ZACZZBHQ1LHB8CQOF/image-asset.jpeg</image:loc>
      <image:title>Work - Fin vs History</image:title>
      <image:caption>We were commissioned to design the title graphics for comedian Fin Taylor’s podcast Fin vs History. The show’s set embraces a deliberately kitsch 1970s aesthetic, so the sequence needed to reflect that retro style while maintaining broadcast quality. Our London studio produced bespoke TV graphics for UK audiences, using After Effects to craft a playful, vintage‑inspired animation that captured the humor and irreverence of the series. This project demonstrates our ability to adapt TV graphics to unique creative briefs, blending technical precision with bold visual storytelling.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1709735925751-HY2KKINUUQZ5KTQXSEUD/image-asset.jpeg</image:loc>
      <image:title>Work - Dairy</image:title>
      <image:caption>This animation was created during studio downtime as a conceptual piece exploring the realities of dairy farming. The project contrasts the cruelty often associated with dairy production against the playful, twee visual language of a children’s cartoon. By combining bold character design with broadcast‑quality animation, our London studio produced TV graphics for UK audiences that are both visually engaging and thought‑provoking. The juxtaposition of style and subject matter highlights our ability to use TV graphics as a storytelling tool — blending technical craft with social commentary to create impactful visual narratives.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1653325449382-SJXL5RYC67MWSHJSJSYA/image-asset.jpeg</image:loc>
      <image:title>Work - Embarrassing Bodies</image:title>
      <image:caption>We were commissioned to create the title graphics for the reboot of Embarrassing Bodies, bringing a fresh visual identity to the returning series. The brief called for bold, contemporary broadcast graphics that felt energetic and modern while still reflecting the show’s medical theme. Our London studio developed a clean, graphic look built around anatomical forms and vibrant colour transitions. Using a mix of 2D and 3D animation, we produced a title sequence that feels clinical yet playful, aligning with the show’s balance of education and entertainment. This project highlights our experience in delivering broadcast‑quality TV graphics for UK productions, combining strong visual design with technical precision to support a well‑known factual entertainment format.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1696948875382-0VPK69LKSPV5YEOQ6GZC/image-asset.png</image:loc>
      <image:title>Work - Coming Up Roses</image:title>
      <image:caption>We created the title graphics for Coming Up Roses, a new series following the lives and work of florists across the UK. The brief called for a warm, elegant visual identity that reflected the show’s focus on creativity, craft and the beauty of floral design. Our London studio developed a soft, cinematic look built around organic shapes, delicate textures and gentle colour transitions. Using a mix of 2D animation and compositing, we produced a title sequence that feels uplifting and contemporary, aligning with the tone of the series. This project highlights our experience in delivering broadcast‑quality TV graphics for UK productions, blending refined visual design with technical precision to support lifestyle and factual entertainment formats.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1710322889950-J9B5QFPQZE1CLG1FNG9S/image-asset.png</image:loc>
      <image:title>Work - Big Adventures</image:title>
      <image:caption>We created the title graphics for Big Adventures, a children’s series that follows young explorers as they discover the world around them. The brief called for a bright, energetic visual identity that captured the sense of curiosity and excitement at the heart of the show. Our London studio developed a playful, character‑driven animation style using bold colours, simple shapes and lively motion. The sequence was designed to feel fun and accessible while still meeting broadcast standards for UK television. This project highlights our experience in producing broadcast‑quality TV graphics for UK audiences, blending imaginative design with technical precision to support children’s factual and entertainment programming.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1696948674760-4AZXF1K9JDP9M4IZNQJX/image-asset.jpeg</image:loc>
      <image:title>Work - Millionaire Hoarders</image:title>
      <image:caption>We were commissioned to create the title graphics for Millionaire Hoarders, a series that explores the hidden value inside cluttered homes and the experts who uncover it. The brief called for a bold, premium look that balanced the glamour of high‑value antiques with the chaos of hoarded spaces. Our London studio developed a polished visual identity built around rich textures, elegant typography and dynamic transitions. Using a mix of 2D and 3D animation, we produced a title sequence that feels refined yet energetic, reflecting the show’s blend of appraisal, restoration and storytelling. This project demonstrates our experience in delivering broadcast‑quality TV graphics for UK productions, combining strong visual design with technical precision to support factual entertainment formats.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1682675574160-UAUVRQBQO7UVGE49RDIR/image-asset.jpeg</image:loc>
      <image:title>Work - Seychelles/ Morocco/ Cape Verde/ Safari with Jane McDonald</image:title>
      <image:caption>We were commissioned to create the title graphics for several episodes of Jane McDonald’s travel series, covering destinations including the Seychelles, Morocco, Cape Verde and a safari adventure in Kenya. Each episode required a distinct visual identity that reflected the character of the location while remaining consistent with the overall style of the series. Our London studio developed a set of bespoke title sequences using a mix of 2D animation, textured typography and location‑inspired colour palettes. The graphics were designed to feel warm, inviting and cinematic, supporting the show’s focus on culture, landscape and personal storytelling. This project highlights our experience in producing broadcast‑quality TV graphics for UK audiences, adapting our design approach to suit a wide range of destinations while maintaining a cohesive visual language across the series.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1672853918078-B2BYUMJEX9RV5QKUW1OT/image-asset.jpeg</image:loc>
      <image:title>Work - Amazing Railway Adventures with Nick Knowles</image:title>
      <image:caption>We created the title graphics for Amazing Railway Adventures with Nick Knowles, a travel series exploring some of the world’s most remarkable rail journeys. The brief called for a warm, adventurous visual identity that captured the scale, history and character of each route. Our London studio developed a cinematic graphic style using textured typography, map‑inspired elements and rich, landscape‑driven colour palettes. The animation was designed to feel immersive and dynamic, supporting the documentary tone of the series while meeting broadcast standards for UK television. This project highlights our experience in producing broadcast‑quality TV graphics for UK audiences, blending strong visual design with technical precision to enhance factual and travel programming.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1678102996479-B0XGNLQGFQZGP144O9UR/image-asset.jpeg</image:loc>
      <image:title>Work - The Story of Britpop</image:title>
      <image:caption>We created the title graphics for The Story of Britpop, a documentary exploring the rise of one of the UK’s most influential music movements. The brief called for a bold, nostalgic visual identity that captured the energy, attitude and cultural impact of the era. Our London studio developed a graphic style inspired by 90s print design, analogue textures and the DIY aesthetic of the time. Using a mix of 2D animation, collage techniques and distressed typography, we produced a title sequence that feels raw, vibrant and authentic to the Britpop spirit. This project highlights our experience in delivering broadcast‑quality TV graphics for UK productions, blending cultural references with contemporary motion design to support music and documentary storytelling.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1661524033904-B5UXJ225JVIREQ6UOFC5/image-asset.jpeg</image:loc>
      <image:title>Work - Screwball Scramble</image:title>
      <image:caption>We created the title graphics for Screwball Scramble, a lively reboot of the classic children’s game show. The brief called for a bright, energetic visual identity that captured the playful, chaotic spirit of the original format while giving it a fresh, contemporary feel. Our London studio developed a bold, characterful animation style using vibrant colours, tactile textures and dynamic motion. The sequence was designed to feel fun, fast‑paced and accessible, supporting the show’s mix of physical challenges and family‑friendly entertainment. This project highlights our experience in producing broadcast‑quality TV graphics for UK audiences, blending imaginative design with technical precision to enhance children’s and family programming</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1696949012702-AO8NRUXYGTG9W63E525C/image-asset.jpeg</image:loc>
      <image:title>Work - Jane McDonald: Lost in Japan</image:title>
      <image:caption>We created the title graphics for Jane McDonald: Lost in Japan, a travel special following Jane as she explores the culture, landscapes and traditions of Japan. The brief called for a warm, contemporary visual identity that reflected the country’s blend of modernity and deep-rooted heritage. Our London studio developed a refined graphic style using clean typography, subtle textures and a colour palette inspired by Japanese design. The animation was crafted to feel elegant and atmospheric, supporting the documentary tone of the programme while meeting broadcast standards for UK television. This project highlights our experience in producing broadcast‑quality TV graphics for UK audiences, adapting our design approach to suit international travel formats while maintaining a cohesive visual language.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1674581880750-C2IB49EJY44GLQTWUKHP/image-asset.jpeg</image:loc>
      <image:title>Work - Secrets of the Royal Palaces</image:title>
      <image:caption>We created the title graphics for Secrets of the Royal Palaces, a documentary series uncovering the history, architecture and hidden stories behind Britain’s most iconic royal residences. The brief called for a refined, heritage‑inspired visual identity that balanced elegance with a sense of discovery. Our London studio developed a sophisticated graphic style using ornate typography, archival textures and a rich, regal colour palette. The animation was crafted to feel polished and atmospheric, supporting the programme’s blend of historical insight and contemporary storytelling while meeting broadcast standards for UK television. This project highlights our experience in producing broadcast‑quality TV graphics for UK productions, combining detailed visual design with technical precision to enhance factual and historical programming.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1672853683843-SORJTIV8V0M8NZWEQN3W/image-asset.jpeg</image:loc>
      <image:title>Work - Holidaying with Jane McDonald</image:title>
      <image:caption>We created the title graphics for Holidaying with Jane McDonald, a travel series following Jane as she explores destinations across Europe and beyond. The brief called for a warm, uplifting visual identity that reflected the show’s mix of culture, scenery and relaxed holiday storytelling. Our London studio developed a bright, contemporary graphic style using clean typography, soft textures and colour palettes inspired by sunlit coastlines and summer travel. The animation was crafted to feel inviting and atmospheric, supporting the programme’s easygoing tone while meeting broadcast standards for UK television. This project highlights our experience in producing broadcast‑quality TV graphics for UK audiences, adapting our design approach to suit lifestyle and travel formats while maintaining a cohesive visual language across the series.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1672854193620-ZOF21A0LJK3RZJUK4L2U/image-asset.jpeg</image:loc>
      <image:title>Work - Jane McDonald Scottish Highland Christmas</image:title>
      <image:caption>We created the title graphics for Jane McDonald: Scottish Highland Christmas, a festive special following Jane as she explores winter traditions, landscapes and celebrations across the Highlands. The brief called for a warm, atmospheric visual identity that captured the magic of a Scottish Christmas while complementing the show’s travel‑led storytelling. Our London studio developed a cosy, cinematic graphic style using textured typography, soft grain, and colour palettes inspired by winter light, tartan tones and Highland scenery. The animation was crafted to feel inviting and seasonal, supporting the programme’s blend of culture, music and festive charm while meeting broadcast standards for UK television. This project highlights our experience in producing broadcast‑quality TV graphics for UK audiences, adapting our design approach to suit festive travel formats while maintaining a cohesive visual language across the Jane McDonald series.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1659517308196-B81NYGWXIR9CYXZS1SLR/image-asset.jpeg</image:loc>
      <image:title>Work - Neighbours Made Me A Star</image:title>
      <image:caption>We created the title graphics for Neighbours: Made Me a Star, a celebratory special exploring how the long‑running Australian series launched the careers of some of its most recognisable cast members. The brief called for a warm, nostalgic visual identity that honoured the show’s legacy while giving the retrospective a fresh, contemporary edge. Our London studio developed a vibrant graphic style using bold typography, sun‑lit colour palettes and playful transitions inspired by classic Neighbours visuals. The animation was crafted to feel upbeat and affectionate, supporting the programme’s mix of archive footage, interviews and behind‑the‑scenes stories. This project highlights our experience in producing broadcast‑quality TV graphics for UK audiences, blending nostalgia with modern motion design to support entertainment and retrospective formats.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1651155493166-S0ES5B9XW1OZQNI7R4WF/image-asset.jpeg</image:loc>
      <image:title>Work - Holidaying with Jane McDonald: Flordia</image:title>
      <image:caption>We created the title graphics for Holidaying with Jane McDonald: Florida, a travel special following Jane as she explores beaches, theme parks and coastal towns across the Sunshine State. The brief called for a bright, uplifting visual identity that captured the warmth, colour and energy of a Florida holiday. Our London studio developed a vibrant graphic style using clean typography, sun‑drenched colour palettes and playful transitions inspired by tropical landscapes and coastal Americana. The animation was crafted to feel warm, inviting and cinematic, supporting the programme’s relaxed travel storytelling while meeting broadcast standards for UK television. This project highlights our experience in producing broadcast‑quality TV graphics for UK audiences, adapting our design approach to suit international travel formats while maintaining a cohesive visual language across the Jane McDonald series.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1650640132509-9TG7IX3K1Y282N5IO7LP/image-asset.jpeg</image:loc>
      <image:title>Work - Greatest Pop Videos</image:title>
      <image:caption>We created the title graphics for Greatest Pop Videos, a music countdown series celebrating the most iconic pop videos of all time. The brief called for a bold, high‑energy visual identity that captured the colour, nostalgia and attitude of classic pop culture while giving the show a fresh, contemporary edge. Our London studio developed a vibrant graphic style using punchy typography, neon‑inspired palettes and fast‑paced transitions influenced by music‑video aesthetics. The animation was crafted to feel dynamic and celebratory, supporting the programme’s mix of archive footage, commentary and chart‑style storytelling. This project highlights our experience in producing broadcast‑quality TV graphics for UK audiences, blending pop‑culture references with modern motion design to enhance entertainment and music‑focused formats.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1650640400469-CTSSQKDCD5CSYQLVDZZI/image-asset.jpeg</image:loc>
      <image:title>Work - Kings &amp; Queens of Country</image:title>
      <image:caption>We created the title graphics for Kings &amp; Queens of Country, a music documentary celebrating the biggest voices and defining moments in country music. The brief called for a warm, Americana‑inspired visual identity that captured the genre’s heritage, storytelling and iconic sound. Our London studio developed a textured graphic style using bold typography, vintage‑influenced colour palettes and tactile, analogue‑inspired transitions. The animation was crafted to feel rich, rhythmic and characterful, supporting the programme’s blend of archive footage, artist profiles and cultural commentary. This project highlights our experience in producing broadcast‑quality TV graphics for UK audiences, blending music‑culture references with contemporary motion design to enhance entertainment and documentary formats.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1710320576335-8JJJKET9HZD9M08U9K54/image-asset.png</image:loc>
      <image:title>Work - Cruising with Susan Calman</image:title>
      <image:caption>We created the title graphics for Cruising with Susan Calman, a travel series following Susan as she explores coastlines, cities and culture aboard some of the world’s most popular cruise routes. The brief called for a warm, uplifting visual identity that reflected the show’s mix of humour, discovery and relaxed holiday storytelling. Our London studio developed a bright, contemporary graphic style using clean typography, nautical‑inspired palettes and smooth, flowing transitions that echo the rhythm of life at sea. The animation was crafted to feel inviting, friendly and cinematic, supporting the programme’s light‑hearted tone while meeting broadcast standards for UK television. This project highlights our experience in producing broadcast‑quality TV graphics for UK audiences, adapting our design approach to suit travel and lifestyle formats while maintaining a cohesive visual language across the series.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1637079426798-K5CJVPD6JDEGEM2V6T6S/image-asset.jpeg</image:loc>
      <image:title>Work - Britain's Biggest 70s Hits</image:title>
      <image:caption>We created the title graphics for Britain’s Biggest 70s Hits, a music countdown series celebrating the artists, stories and chart‑topping tracks that defined the decade. The brief called for a bold, retro‑inspired visual identity that captured the colour, energy and cultural flair of 1970s pop. Our London studio developed a vibrant graphic style using punchy typography, analogue textures and warm, era‑inspired colour palettes. The animation was crafted to feel rhythmic, nostalgic and full of personality, supporting the programme’s mix of archive footage, commentary and chart‑style storytelling. This project highlights our experience in producing broadcast‑quality TV graphics for UK audiences, blending music‑culture references with contemporary motion design to enhance entertainment and documentary formats.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1650640538357-ETA5IKVG9EL0ZTF7206C/image-asset.jpeg</image:loc>
      <image:title>Work - Jane McDonald: My Yorkshire</image:title>
      <image:caption>We created the title graphics for Jane McDonald: My Yorkshire, a personal travel series in which Jane returns to the places, landscapes and communities that shaped her life. The brief called for a warm, nostalgic visual identity that reflected both the beauty of Yorkshire and Jane’s deep connection to the region. Our London studio developed a textured, cinematic graphic style using handcrafted typography, natural colour palettes and subtle, documentary‑inspired transitions. The animation was designed to feel grounded, heartfelt and atmospheric, supporting the programme’s blend of personal storytelling, local history and scenic travel. This project highlights our experience in producing broadcast‑quality TV graphics for UK audiences, adapting our design approach to suit reflective, character‑led travel formats while maintaining a cohesive visual language across the Jane McDonald series.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1620999638202-03HC534AQDP89OTUX6OM/image-asset.jpeg</image:loc>
      <image:title>Work - Britain's Favourite 90s Songs</image:title>
      <image:caption>We created the title graphics for Britain’s Favourite 90s Songs, a music countdown series celebrating the artists, anthems and cultural moments that defined the decade. The brief called for a bold, nostalgic visual identity that captured the colour, attitude and energy of 90s pop culture. Our London studio developed a vibrant graphic style using punchy typography, analogue textures and era‑inspired colour palettes influenced by 90s music videos, fashion and TV design. The animation was crafted to feel rhythmic, playful and full of personality, supporting the programme’s mix of archive footage, commentary and chart‑style storytelling. This project highlights our experience in producing broadcast‑quality TV graphics for UK audiences, blending pop‑culture references with contemporary motion design to enhance entertainment and music‑focused formats.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1610298390898-Y314L6OOT4C2KAGA5NTY/image-asset.jpeg</image:loc>
      <image:title>Work - Winneas Fogg</image:title>
      <image:caption>We created the title graphics for Winne’s Fogg, a playful children’s series following Winne and her trusty companion Fogg on imaginative adventures. The brief called for a bright, character‑driven visual identity that captured the show’s sense of curiosity, creativity and gentle humour. Our London studio developed a colourful, tactile graphic style using handcrafted typography, soft textures and expressive character‑inspired shapes. The animation was designed to feel warm, friendly and full of movement, supporting the programme’s storytelling while meeting broadcast standards for UK children’s television. This project highlights our experience in producing broadcast‑quality TV graphics for UK audiences, adapting our design approach to suit preschool and family‑focused formats with an emphasis on charm, clarity and visual storytelling.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1600957185650-JLQ9SRHHYGOQRVQV3A0H/image-asset.jpeg</image:loc>
      <image:title>Work - Jane McDonald's Weekends Away</image:title>
      <image:caption>We created the title graphics for Jane McDonald’s Weekends Away, a travel series that follows Jane as she explores short‑break destinations across the UK and Europe. The brief called for a warm, uplifting visual identity that reflected the show’s mix of discovery, personality and relaxed weekend‑escape storytelling. Our London studio developed a bright, contemporary graphic style using clean typography, soft textures and colour palettes inspired by coastal towns, countryside retreats and city‑break adventures. The animation was crafted to feel inviting, friendly and cinematic, supporting the programme’s easygoing tone while meeting broadcast standards for UK television. This project highlights our experience in producing broadcast‑quality TV graphics for UK audiences, adapting our design approach to suit lifestyle and travel formats while maintaining a cohesive visual language across the Jane McDonald series.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1610302000835-Z5T9IM2C81MVSX52BJQ0/image-asset.jpeg</image:loc>
      <image:title>Work - Britain's Favourite 80s Song</image:title>
      <image:caption>We created the title graphics for Britain’s Favourite 80s Song, a music countdown special celebrating the artists, anthems and cultural moments that defined the decade. The brief called for a bold, retro‑inspired visual identity that captured the colour, attitude and electric energy of 1980s pop culture. Our London studio developed a vibrant graphic style using punchy typography, neon‑influenced palettes and analogue textures inspired by classic 80s music videos and TV design. The animation was crafted to feel rhythmic, playful and full of personality, supporting the programme’s mix of archive footage, commentary and chart‑style storytelling. This project highlights our experience in producing broadcast‑quality TV graphics for UK audiences, blending pop‑culture references with contemporary motion design to enhance entertainment and music‑focused formats.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1601288535042-MDSKQH12XQ1EKZOS2J0D/image-asset.jpeg</image:loc>
      <image:title>Work - Playing with Time</image:title>
      <image:caption>We created the title graphics for Playing With Time, a documentary exploring how artists, scientists and storytellers manipulate, measure and interpret time. The brief called for a refined, conceptual visual identity that reflected the programme’s blend of creativity, physics and philosophical ideas. Our London studio developed a clean, contemporary graphic style using precise typography, minimal palettes and motion inspired by clocks, cycles and shifting temporal patterns. The animation was crafted to feel thoughtful, elegant and quietly cinematic, supporting the programme’s mix of interviews, experiments and visual metaphors. This project highlights our experience in producing broadcast‑quality TV graphics for UK audiences, adapting our design approach to suit science‑led and idea‑driven formats while maintaining clarity, atmosphere and narrative cohesion.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1559895674827-XWRI66FAPCXF6RZANR0E/WeekInBreakfast.jpg</image:loc>
      <image:title>Work - Week In Breakfast</image:title>
      <image:caption>We created the title graphics for Week in Breakfast, a warm, lifestyle‑driven series celebrating morning routines, food culture and the people who make breakfast their favourite meal of the day. The brief called for a bright, uplifting visual identity that captured the comfort, colour and everyday joy of breakfast moments. Our London studio developed a fresh, contemporary graphic style using clean typography, soft textures and palettes inspired by cafés, kitchens and early‑morning light. The animation was crafted to feel inviting, calm and gently energetic, supporting the programme’s mix of recipes, stories and personality‑led features while meeting broadcast standards for UK television. This project highlights our experience in producing broadcast‑quality TV graphics for UK audiences, adapting our design approach to suit lifestyle and food‑focused formats with clarity, warmth and visual charm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1579180579681-HW0H80ASMC8DS7B26UOQ/image-asset.jpeg</image:loc>
      <image:title>Work - Holidaying with Jane McDonald</image:title>
      <image:caption>We created the title graphics for Holidaying with Jane McDonald, a travel series following Jane as she explores destinations across the UK, Europe and beyond. The brief called for a warm, uplifting visual identity that captured the show’s mix of discovery, personality and relaxed holiday storytelling. Our London studio developed a bright, contemporary graphic style using clean typography, sun‑lit palettes and smooth transitions inspired by beaches, city breaks and scenic escapes. The animation was crafted to feel inviting, friendly and cinematic, supporting the programme’s easygoing tone while meeting broadcast standards for UK television. This project highlights our experience in producing broadcast‑quality TV graphics for UK audiences, adapting our design approach to suit travel and lifestyle formats while maintaining a cohesive visual language across the Jane McDonald series.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1547897904066-BOHZXXDXSHEQ8E23JB37/TattooFixers.jpg</image:loc>
      <image:title>Work - Tattoo Fixers: Extreme</image:title>
      <image:caption>We created the title graphics for Tattoo Fixers: Extreme, a high‑energy reality series where people share the stories behind their most memorable tattoos and receive creative makeovers from the show’s artists. The brief called for a bold, expressive visual identity that matched the programme’s mix of personality, humour and emotional storytelling. Our London studio developed a punchy graphic style using strong typography, ink‑inspired textures and colour palettes influenced by contemporary tattoo culture. The animation was crafted to feel dynamic, confident and character‑driven, supporting the show’s fast‑paced format while meeting broadcast standards for UK television. This project highlights our experience in producing broadcast‑quality TV graphics for UK audiences, adapting our design approach to suit reality‑entertainment formats with clarity, attitude and visual impact.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1547206032733-7J2HNQSIKQIRVQ9HKTXB/20YBEP.jpg</image:loc>
      <image:title>Work - 20 Years of the Black Eyed Peas</image:title>
      <image:caption>We created the title graphics for 20 Years of BEP, a music documentary celebrating two decades of chart‑topping hits, cultural influence and creative evolution from the Black Eyed Peas. The brief called for a bold, high‑energy visual identity that reflected the group’s signature style—rhythmic, futuristic and full of personality. Our London studio developed a dynamic graphic style using strong typography, vibrant palettes and motion inspired by music‑video aesthetics, digital culture and the band’s iconic visual language. The animation was crafted to feel fast‑paced, expressive and cinematic, supporting the programme’s mix of performances, interviews and archive material. This project highlights our experience in producing broadcast‑quality TV graphics for UK audiences, blending music‑culture references with contemporary motion design to enhance documentary and entertainment formats.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1547199034518-ECU2C57QHYUCSAM7BR42/Supervet.jpg</image:loc>
      <image:title>Work - The Supervet</image:title>
      <image:caption>We created the graphics for 20 episodes of Channel 4’s The Supervet, working closely with Blast! Films and Professor Noel Fitzpatrick to visualise complex surgical procedures with clarity and precision. The brief called for a scientific, cinematic visual identity that could translate advanced veterinary techniques into sequences that were easy for viewers to understand. Our London studio used Cinema 4D to combine biological and technological elements, building detailed anatomical models and procedural animations that supported the storytelling without overwhelming it. Each sequence was crafted to feel informative, accurate and visually engaging, helping audiences follow the intricacies of Fitzpatrick’s pioneering work. This project highlights our experience in producing broadcast‑quality TV graphics for UK audiences, adapting our design approach to suit medical, scientific and documentary formats where clarity, accuracy and visual communication are essential.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1548171123069-RUTFFZYUFSLXDZNENC2B/HappyHourwithOllyMurs.jpg</image:loc>
      <image:title>Work - Happy Hour With Olly Murs</image:title>
      <image:caption>We created the title graphics for Happy Hour with Olly Murs, a feel‑good entertainment special filled with music, games and Olly’s trademark humour. The brief called for a bright, upbeat visual identity that captured the show’s mix of fun, personality and live‑show energy. Our London studio developed a bold, performance‑inspired graphic style using expressive typography, vibrant colour palettes and rhythmic transitions influenced by stage lighting and music‑show design. The animation was crafted to feel lively, welcoming and full of character, supporting the programme’s blend of performances, audience interaction and playful challenges. This project highlights our experience in producing broadcast‑quality TV graphics for UK audiences, blending music‑culture references with contemporary motion design to enhance entertainment and variety formats.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1547139286178-FJMW3N5L0CQJSALBAIM7/SupervetLIVE2.jpg</image:loc>
      <image:title>Work - The Supervet Live</image:title>
      <image:caption>We created the graphics for The Supervet Live, a special event episode bringing Professor Noel Fitzpatrick’s groundbreaking veterinary work to a live audience. The brief called for a clear, cinematic visual identity that could translate complex medical procedures into accessible, engaging sequences in real time. Our London studio developed detailed anatomical models and procedural animations using Cinema 4D, combining scientific accuracy with strong visual storytelling. Each sequence was designed to support Noel’s explanations on stage, helping viewers understand the techniques, technology and innovation behind his pioneering approach to animal care. This project highlights our experience in producing broadcast‑quality TV graphics for UK audiences, adapting our design approach to suit live events, medical storytelling and documentary‑led formats where clarity and precision are essential.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1547204115324-VD98BFUW9VU6Z1729ZMX/NightmarePetsSOS.jpg</image:loc>
      <image:title>Work - Nightmare Pets S.O.S.</image:title>
      <image:caption>We created the title graphics for Nightmare Pets SOS, a factual entertainment series where expert teams help families resolve challenging pet‑behaviour problems. The brief called for a clear, approachable visual identity that balanced the show’s mix of humour, heart and practical advice. Our London studio developed a friendly, character‑driven graphic style using expressive typography, warm palettes and playful motion inspired by everyday pet behaviour. The animation was crafted to feel light, engaging and reassuring, supporting the programme’s blend of real‑life stories, expert guidance and family‑focused problem‑solving. This project highlights our experience in producing broadcast‑quality TV graphics for UK audiences, adapting our design approach to suit factual‑entertainment formats where clarity, warmth and storytelling are essential.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://platoandpablo.com/about</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-05-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1548088318789-8STAQKQ6T3ERVZD8T838/Bridge.jpg</image:loc>
      <image:title>About</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a6a6029f6576e709d131eb3/1548089418872-NK5IDTUXJG3UAPCOYX7C/Bridge3.jpg</image:loc>
      <image:title>About</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://platoandpablo.com/contact</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-05-11</lastmod>
  </url>
</urlset>

